Amy Adams is spectacular in this high-class dramatic thriller
Rich people can be obnoxious. This is just but one of Tom Ford’s commentary on high-class living. His argument seems pretty relevant as he has seen these behaviors first class working in the fashion world. A lot of pretty faces and luxurious settings bombard Nocturnal Animals and yet Ford meticulously shows the sadness and superficiality, something rich people try to hide.
A sad Susan (Amy Adams) is seen unimpressed by the art surrounding her, standing alone with dead obese women shown on platforms. This is just one of Susan’s art exhibits. But why is she so sad? Her husband (Armie Hammer) didn’t come to her art show. Wanting to confront him at home, something catches her mind as she comes home – a package is waiting for her. This mysterious package is revealed to be a draft of her ex-husband, Edward (Jake Gyllenhaal). The draft of a novel dedicated to her.
The novel’s story is of dark, sad and violent nature, not the content one would want to be associated with. Though, the story reveals something closer to home, Susan’s relationship with Edward. As she reads through the pages, Susan can only think about her memories with Edward and how it eventually went all wrong.
On the surface, it seems like a boring story, but it’s elevated with a great script. Going back from a novel to reality is in fact, Nocturnal Animals‘ greatest strength. Not one story is superior to the other. Instead, both stories offer a fascinating look into each character without being overly intolerable. The novel story helps the audience get an interesting look into Jake Gyllenhaal’s character which is only seen in a couple real life shots. A bold choice that is rewarded more than once.
Tom Ford plays each right cards, and the biggest most audacious card is played at the very end where he leaves it to the audience to decide just how much both stories mirror themselves. On the one hand, Ford shows an incredibly violent and gritty Texas story perfectly contrasting the wealthy and fancy lifestyle Susan inhabits. Proving that this isn’t just another “sad rich people” story. Her life, filled with beautiful dresses and decadent parties, paints a portrait of why her character seems so sad. But in the end, it’s the actions and the depth of the relationship that pulls the story to its own.
Playing with similar themes to the ones in The Neon Demon, an apparent similarity between both Nicolas Winding Refn and Tom Ford emerges. Not only is Karl Glusman and Jena Melone in both film but the aesthetic of Nocturnal Animals fair strikingly similar to Refn’s. Although, enough effort is made to differentiate both films, this is sure to come up in the minds of people who have seen both films.
Helping out with the movie’s excellent story are the incredible performances across the board. Adams’s sad eyes leave just enough room to see her broken soul. Same goes to Gyllenhaal as he shines as a sensitive author. However, easily the favourite is Michael Shannon’s depiction of a Texas sheriff.
Proving once again that his eye for fashion translates well to film, Ford’s scrupulous nature and vibrant visuals take centerpiece. Made with high precision and attention to detail, Nocturnal Animals is the biggest gamble of the year. In a movie where nothing should cinematically work, almost everything does.